17 ideas
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| 2705 | How can intuitionists distinguish universal convictions from local cultural ones? [Hare] |
| 2712 | You can't use intuitions to decide which intuitions you should cultivate [Hare] |
| 2706 | Emotivists mistakenly think all disagreements are about facts, and so there are no moral reasons [Hare] |
| 2709 | Prescriptivism sees 'ought' statements as imperatives which are universalisable [Hare] |
| 2704 | If morality is just a natural or intuitive description, that leads to relativism [Hare] |
| 2703 | Descriptivism say ethical meaning is just truth-conditions; prescriptivism adds an evaluation [Hare] |
| 2707 | If there can be contradictory prescriptions, then reasoning must be involved [Hare] |
| 2708 | An 'ought' statement implies universal application [Hare] |
| 2711 | Prescriptivism implies a commitment, but descriptivism doesn't [Hare] |
| 6000 | The goal is rationality in the selection of things according to nature [Diogenes of Babylon, by Blank] |
| 5999 | The good is what is perfect by nature [Diogenes of Babylon, by Blank] |
| 6001 | Justice is a disposition to distribute according to desert [Diogenes of Babylon, by Blank] |
| 2710 | Moral judgements must invoke some sort of principle [Hare] |