Combining Texts

All the ideas for 'Three Varieties of Knowledge', 'The Artworld' and 'Events as property exemplifications'

expand these ideas     |    start again     |     specify just one area for these texts


14 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
Objective truth arises from interpersonal communication [Davidson]
7. Existence / B. Change in Existence / 4. Events / c. Reduction of events
How fine-grained Kim's events are depends on how finely properties are individuated [Kim, by Schaffer,J]
Events are composed of an object with an attribute at a time [Kim, by Simons]
Events cannot be merely ordered triples, but must specify the link between the elements [Kim, by Simons]
If events are ordered triples of items, such things seem to be sets, and hence abstract [Simons on Kim]
Since properties like self-identity and being 2+2=4 are timeless, Kim must restrict his properties [Simons on Kim]
Kim's theory results in too many events [Simons on Kim]
11. Knowledge Aims / A. Knowledge / 4. Belief / e. Belief holism
A belief requires understanding the distinctions of true-and-false, and appearance-and-reality [Davidson]
13. Knowledge Criteria / E. Relativism / 2. Knowledge as Convention
Objectivity is intersubjectivity [Davidson]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / b. Scepticism of other minds
If we know other minds through behaviour, but not our own, we should assume they aren't like me [Davidson]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
Knowing other minds rests on knowing both one's own mind and the external world [Davidson, by Dummett]
19. Language / F. Communication / 4. Private Language
Content of thought is established through communication, so knowledge needs other minds [Davidson]
19. Language / F. Communication / 6. Interpreting Language / c. Principle of charity
The principle of charity attributes largely consistent logic and largely true beliefs to speakers [Davidson]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
An ordinary object can be a work of art, but only if some theory of art supports it [Danto]