Combining Texts

All the ideas for 'Problems in the Explanation of Action', 'Treatise of Human Nature, Appendix' and 'An Essay in Aesthetics'

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23 ideas

11. Knowledge Aims / A. Knowledge / 4. Belief / d. Cause of beliefs
20189 Belief is a feeling, independent of the will, which arises from uncontrolled and unknown causes [Hume]
12. Knowledge Sources / D. Empiricism / 1. Empiricism
21309 A proposition cannot be intelligible or consistent, if the perceptions are not so [Hume]
15. Nature of Minds / C. Capacities of Minds / 7. Seeing Resemblance
15755 Hume needs a notion which includes degrees of resemblance [Shoemaker on Hume]
16. Persons / B. Nature of the Self / 5. Self as Associations
5323 Experiences are logically separate, but factually linked by simultaneity or a feeling of continuousness [Ayer on Hume]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / b. Self as mental continuity
21311 Are self and substance the same? Then how can self remain if substance changes? [Hume]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / c. Inadequacy of mental continuity
21312 Perceptions are distinct, so no connection between them can ever be discovered [Hume]
16. Persons / E. Rejecting the Self / 4. Denial of the Self
21308 We have no impression of the self, and we therefore have no idea of it [Hume]
21310 Does an oyster with one perception have a self? Would lots of perceptions change that? [Hume]
20. Action / B. Preliminaries of Action / 1. Intention to Act / b. Types of intention
20074 We can keep Davidson's account of intentions in action, by further explaining prior intentions [Davidson, by Stout,R]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / B. Value / 2. Values / g. Love
23115 We have no natural love of mankind, other than through various relationships [Hume]
26. Natural Theory / C. Causation / 9. General Causation / a. Constant conjunction
16946 Causation is just invariance, as long as it is described in general terms [Quine on Hume]
15250 If impressions, memories and ideas only differ in vivacity, nothing says it is memory, or repetition [Whitehead on Hume]