36 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
20189 | Belief is a feeling, independent of the will, which arises from uncontrolled and unknown causes [Hume] |
21309 | A proposition cannot be intelligible or consistent, if the perceptions are not so [Hume] |
15755 | Hume needs a notion which includes degrees of resemblance [Shoemaker on Hume] |
5323 | Experiences are logically separate, but factually linked by simultaneity or a feeling of continuousness [Ayer on Hume] |
21311 | Are self and substance the same? Then how can self remain if substance changes? [Hume] |
21312 | Perceptions are distinct, so no connection between them can ever be discovered [Hume] |
21308 | We have no impression of the self, and we therefore have no idea of it [Hume] |
21310 | Does an oyster with one perception have a self? Would lots of perceptions change that? [Hume] |
20074 | We can keep Davidson's account of intentions in action, by further explaining prior intentions [Davidson, by Stout,R] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
23115 | We have no natural love of mankind, other than through various relationships [Hume] |
16946 | Causation is just invariance, as long as it is described in general terms [Quine on Hume] |
15250 | If impressions, memories and ideas only differ in vivacity, nothing says it is memory, or repetition [Whitehead on Hume] |