Combining Texts

All the ideas for 'Three Varieties of Knowledge', 'Fallibilism' and 'Public Text and Common Reader'

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15 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
Objective truth arises from interpersonal communication [Davidson]
11. Knowledge Aims / A. Knowledge / 4. Belief / e. Belief holism
A belief requires understanding the distinctions of true-and-false, and appearance-and-reality [Davidson]
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
Fallibilism is consistent with dogmatism or scepticism, and is not alternative to them [Dougherty]
It is best to see the fallibility in the reasons, rather than in the agents or the knowledge [Dougherty]
We can't normally say that we know something 'but it might be false' [Dougherty]
13. Knowledge Criteria / E. Relativism / 2. Knowledge as Convention
Objectivity is intersubjectivity [Davidson]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / b. Scepticism of other minds
If we know other minds through behaviour, but not our own, we should assume they aren't like me [Davidson]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
Knowing other minds rests on knowing both one's own mind and the external world [Davidson, by Dummett]
19. Language / F. Communication / 4. Private Language
Content of thought is established through communication, so knowledge needs other minds [Davidson]
19. Language / F. Communication / 6. Interpreting Language / c. Principle of charity
The principle of charity attributes largely consistent logic and largely true beliefs to speakers [Davidson]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]