41 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 19504 | My modus ponens might be your modus tollens [Pritchard,D] |
| 14633 | How do we tell a table's being contingently plastic from its being essentially plastic? [Jackson] |
| 14635 | An x is essentially F if it is F in every possible world in which it appears [Jackson] |
| 14632 | Quine may have conflated de re and de dicto essentialism, but there is a real epistemological problem [Jackson] |
| 19503 | An improbable lottery win can occur in a nearby possible world [Pritchard,D] |
| 14631 | How can you show the necessity of an a posteriori necessity, if it might turn out to be false? [Jackson] |
| 19505 | Moore begs the question, or just offers another view, or uses 'know' wrongly [Pritchard,D, by PG] |
| 19499 | We can have evidence for seeing a zebra, but no evidence for what is entailed by that [Pritchard,D] |
| 19500 | Favouring: an entailment will give better support for the first belief than reason to deny the second [Pritchard,D] |
| 19502 | Maybe knowledge just needs relevant discriminations among contrasting cases [Pritchard,D] |
| 19498 | Epistemic internalism usually says justification must be accessible by reflection [Pritchard,D] |
| 19506 | Externalism is better than internalism in dealing with radical scepticism [Pritchard,D] |
| 19496 | Disjunctivism says perceptual justification must be both factual and known by the agent [Pritchard,D] |
| 19497 | Metaphysical disjunctivism says normal perceptions and hallucinations are different experiences [Pritchard,D] |
| 19495 | Epistemic externalism struggles to capture the idea of epistemic responsibility [Pritchard,D] |
| 19501 | We assess error against background knowledge, but that is just what radical scepticism challenges [Pritchard,D] |
| 19507 | Radical scepticism is merely raised, and is not a response to worrying evidence [Pritchard,D] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |