Combining Texts

All the ideas for 'Locke on Human Understanding', 'Classes and Attributes' and 'What is Art?'

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15 ideas

8. Modes of Existence / B. Properties / 11. Properties as Sets
9783 While no two classes coincide in membership, there are distinct but coextensive attributes [Cartwright,R]
8. Modes of Existence / E. Nominalism / 2. Resemblance Nominalism
7720 Two things can only resemble one another in some respect, and that may reintroduce a universal [Lowe]
9. Objects / B. Unity of Objects / 2. Substance / d. Substance defined
7712 On substances, Leibniz emphasises unity, Spinoza independence, Locke relations to qualities [Lowe]
12. Knowledge Sources / B. Perception / 6. Inference in Perception
7710 Perception is a mode of belief-acquisition, and does not involve sensation [Lowe]
12. Knowledge Sources / B. Perception / 7. Causal Perception
7711 Science requires a causal theory - perception of an object must be an experience caused by the object [Lowe]
16. Persons / D. Continuity of the Self / 1. Identity and the Self
7714 Personal identity is a problem across time (diachronic) and at an instant (synchronic) [Lowe]
18. Thought / B. Mechanics of Thought / 4. Language of Thought
7715 Mentalese isn't a language, because it isn't conventional, or a means of public communication [Lowe]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
7722 If meaning is mental pictures, explain "the cat (or dog!) is NOT on the mat" [Lowe]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
8124 The highest feelings of mankind can only be transmitted by art [Tolstoy]
8121 Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
8122 True works of art transmit completely new feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
8123 The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22710 People estimate art according to their moral values [Tolstoy]
8064 We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]
8125 The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]