19 ideas
| 17082 | Paradox: why do you analyse if you know it, and how do you analyse if you don't? [Ruben] |
| 7720 | Two things can only resemble one another in some respect, and that may reintroduce a universal [Lowe] |
| 7712 | On substances, Leibniz emphasises unity, Spinoza independence, Locke relations to qualities [Lowe] |
| 7710 | Perception is a mode of belief-acquisition, and does not involve sensation [Lowe] |
| 7711 | Science requires a causal theory - perception of an object must be an experience caused by the object [Lowe] |
| 17087 | The 'symmetry thesis' says explanation and prediction only differ pragmatically [Ruben] |
| 17081 | Usually explanations just involve giving information, with no reference to the act of explanation [Ruben] |
| 17092 | An explanation needs the world to have an appropriate structure [Ruben] |
| 17090 | Most explanations are just sentences, not arguments [Ruben] |
| 17094 | The causal theory of explanation neglects determinations which are not causal [Ruben] |
| 17088 | Reducing one science to another is often said to be the perfect explanation [Ruben] |
| 17089 | Facts explain facts, but only if they are conceptualised or named appropriately [Ruben] |
| 7714 | Personal identity is a problem across time (diachronic) and at an instant (synchronic) [Lowe] |
| 7715 | Mentalese isn't a language, because it isn't conventional, or a means of public communication [Lowe] |
| 7722 | If meaning is mental pictures, explain "the cat (or dog!) is NOT on the mat" [Lowe] |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |