Combining Texts

All the ideas for 'Locke on Human Understanding', 'What is an Emotion?' and 'Art and Its Objects'

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24 ideas

8. Modes of Existence / E. Nominalism / 2. Resemblance Nominalism
7720 Two things can only resemble one another in some respect, and that may reintroduce a universal [Lowe]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / B. Unity of Objects / 2. Substance / d. Substance defined
7712 On substances, Leibniz emphasises unity, Spinoza independence, Locke relations to qualities [Lowe]
12. Knowledge Sources / B. Perception / 6. Inference in Perception
7710 Perception is a mode of belief-acquisition, and does not involve sensation [Lowe]
12. Knowledge Sources / B. Perception / 7. Causal Perception
7711 Science requires a causal theory - perception of an object must be an experience caused by the object [Lowe]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
16. Persons / D. Continuity of the Self / 1. Identity and the Self
7714 Personal identity is a problem across time (diachronic) and at an instant (synchronic) [Lowe]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
23981 Rage is inconceivable without bodily responses; so there are no disembodied emotions [James]
18. Thought / B. Mechanics of Thought / 4. Language of Thought
7715 Mentalese isn't a language, because it isn't conventional, or a means of public communication [Lowe]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
7722 If meaning is mental pictures, explain "the cat (or dog!) is NOT on the mat" [Lowe]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20343 A love of nature must precede a love of art [Wollheim]
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]