21 ideas
22358 | Scientific objectivity lies in inter-subjective testing [Popper] |
10688 | 'Equivocation' is when terms do not mean the same thing in premises and conclusion [Beall/Restall] |
10690 | Formal logic is invariant under permutations, or devoid of content, or gives the norms for thought [Beall/Restall] |
10691 | Logical consequence needs either proofs, or absence of counterexamples [Beall/Restall] |
10695 | Logical consequence is either necessary truth preservation, or preservation based on interpretation [Beall/Restall] |
10689 | A step is a 'material consequence' if we need contents as well as form [Beall/Restall] |
10696 | A 'logical truth' (or 'tautology', or 'theorem') follows from empty premises [Beall/Restall] |
10693 | Models are mathematical structures which interpret the non-logical primitives [Beall/Restall] |
10692 | Hilbert proofs have simple rules and complex axioms, and natural deduction is the opposite [Beall/Restall] |
22188 | Give Nobel Prizes for really good refutations? [Gorham on Popper] |
7780 | Falsification is the criterion of demarcation between science and non-science [Popper, by Magee] |
16830 | We don't only reject hypotheses because we have falsified them [Lipton on Popper] |
6794 | If falsification requires logical inconsistency, then probabilistic statements can't be falsified [Bird on Popper] |
6795 | When Popper gets in difficulties, he quietly uses induction to help out [Bird on Popper] |
3856 | Good theories have empirical content, explain a lot, and are not falsified [Popper, by Newton-Smith] |
7779 | There is no such thing as induction [Popper, by Magee] |
3860 | Science cannot be shown to be rational if induction is rejected [Newton-Smith on Popper] |
22693 | The works we value most are in sympathy with our own moral views [John,E] |
22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |