Combining Texts

All the ideas for 'Purifications (frags)', 'Beauty: a very short introduction' and 'Contingent Identity'

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25 ideas

2. Reason / A. Nature of Reason / 7. Status of Reason
18543 Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton]
3. Truth / A. Truth Problems / 2. Defining Truth
18542 Defining truth presupposes that there can be a true definition [Scruton]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
14064 If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard]
14066 A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard]
14067 Clay and statue are two objects, which can be named and reasoned about [Gibbard]
14069 We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
14076 Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard]
9. Objects / D. Essence of Objects / 15. Against Essentialism
14077 Essentialism for concreta is false, since they can come apart under two concepts [Gibbard]
9. Objects / E. Objects over Time / 12. Origin as Essential
14070 A particular statue has sortal persistence conditions, so its origin defines it [Gibbard]
9. Objects / F. Identity among Objects / 6. Identity between Objects
14073 Claims on contingent identity seem to violate Leibniz's Law [Gibbard]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
14065 Two identical things must share properties - including creation and destruction times [Gibbard]
14074 Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
14072 Possible worlds identity needs a sortal [Gibbard]
14078 Only concepts, not individuals, can be the same across possible worlds [Gibbard]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
14079 Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
14071 Naming a thing in the actual world also invokes some persistence criteria [Gibbard]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
18546 The pleasure taken in beauty also aims at understanding and valuing [Scruton]
18550 Art gives us imaginary worlds which we can view impartially [Scruton]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
18544 Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton]
18553 Beauty shows us what we should want in order to achieve human fulfilment [Scruton]
18556 Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
18548 Natural beauty reassures us that the world is where we belong [Scruton]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
18551 Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton]
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
18541 Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton]
25. Social Practice / F. Life Issues / 5. Sexual Morality
18554 Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton]