Combining Texts

All the ideas for 'fragments/reports', 'Critique of Judgement I: Aesthetic' and 'Varieties of Things'

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48 ideas

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined
Even pointing a finger should only be done for a reason [Epictetus]
1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / d. Philosophy as puzzles
Philosophy tries to explain how the actual is possible, given that it seems impossible [Macdonald,C]
1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
'Did it for the sake of x' doesn't involve a sake, so how can ontological commitments be inferred? [Macdonald,C]
2. Reason / F. Fallacies / 5. Fallacy of Composition
Don't assume that a thing has all the properties of its parts [Macdonald,C]
7. Existence / C. Structure of Existence / 2. Reduction
Reduce by bridge laws (plus property identities?), by elimination, or by reducing talk [Macdonald,C]
8. Modes of Existence / A. Relations / 2. Internal Relations
Relational properties are clearly not essential to substances [Macdonald,C]
8. Modes of Existence / A. Relations / 4. Formal Relations / a. Types of relation
Being taller is an external relation, but properties and substances have internal relations [Macdonald,C]
8. Modes of Existence / B. Properties / 12. Denial of Properties
Does the knowledge of each property require an infinity of accompanying knowledge? [Macdonald,C]
8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
Tropes are abstract (two can occupy the same place), but not universals (they have locations) [Macdonald,C]
Properties are sets of exactly resembling property-particulars [Macdonald,C]
Tropes are abstract particulars, not concrete particulars, so the theory is not nominalist [Macdonald,C]
8. Modes of Existence / B. Properties / 13. Tropes / b. Critique of tropes
How do a group of resembling tropes all resemble one another in the same way? [Macdonald,C]
Trope Nominalism is the only nominalism to introduce new entities, inviting Ockham's Razor [Macdonald,C]
8. Modes of Existence / D. Universals / 2. Need for Universals
Numerical sameness is explained by theories of identity, but what explains qualitative identity? [Macdonald,C]
8. Modes of Existence / D. Universals / 6. Platonic Forms / b. Partaking
How can universals connect instances, if they are nothing like them? [Macdonald,C]
8. Modes of Existence / E. Nominalism / 1. Nominalism / c. Nominalism about abstracta
Real Nominalism is only committed to concrete particulars, word-tokens, and (possibly) sets [Macdonald,C]
8. Modes of Existence / E. Nominalism / 2. Resemblance Nominalism
Resemblance Nominalism cannot explain either new resemblances, or absence of resemblances [Macdonald,C]
9. Objects / A. Existence of Objects / 5. Individuation / c. Individuation by location
A 'thing' cannot be in two places at once, and two things cannot be in the same place at once [Macdonald,C]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
We 'individuate' kinds of object, and 'identify' particular specimens [Macdonald,C]
9. Objects / B. Unity of Objects / 2. Substance / a. Substance
Unlike bundles of properties, substances have an intrinsic unity [Macdonald,C]
9. Objects / B. Unity of Objects / 2. Substance / d. Substance defined
The bundle theory of substance implies the identity of indiscernibles [Macdonald,C]
9. Objects / B. Unity of Objects / 2. Substance / e. Substance critique
A phenomenalist cannot distinguish substance from attribute, so must accept the bundle view [Macdonald,C]
When we ascribe a property to a substance, the bundle theory will make that a tautology [Macdonald,C]
Substances persist through change, but the bundle theory says they can't [Macdonald,C]
A substance might be a sequence of bundles, rather than a single bundle [Macdonald,C]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
A statue and its matter have different persistence conditions, so they are not identical [Macdonald,C]
9. Objects / C. Structure of Objects / 7. Substratum
A substance is either a bundle of properties, or a bare substratum, or an essence [Macdonald,C]
Each substance contains a non-property, which is its substratum or bare particular [Macdonald,C]
The substratum theory explains the unity of substances, and their survival through change [Macdonald,C]
A substratum has the quality of being bare, and they are useless because indiscernible [Macdonald,C]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
At different times Leibniz articulated three different versions of his so-called Law [Macdonald,C]
The Identity of Indiscernibles is false, because it is not necessarily true [Macdonald,C]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / b. Self as mental continuity
In continuity, what matters is not just the beginning and end states, but the process itself [Macdonald,C]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]