23 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| 21515 | Incoherence may be more important for enquiry than coherence [Olsson] |
| 21514 | Coherence is the capacity to answer objections [Olsson] |
| 21496 | Mere agreement of testimonies is not enough to make truth very likely [Olsson] |
| 21499 | Coherence is only needed if the information sources are not fully reliable [Olsson] |
| 21502 | A purely coherent theory cannot be true of the world without some contact with the world [Olsson] |
| 21512 | Extending a system makes it less probable, so extending coherence can't make it more probable [Olsson] |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |