Combining Texts

All the ideas for 'Universals', 'Infinitism solution to regress problem' and 'Art'

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25 ideas

2. Reason / A. Nature of Reason / 6. Coherence
8833 Why should we prefer coherent beliefs? [Klein,P]
8. Modes of Existence / D. Universals / 1. Universals
8495 The distinction between particulars and universals is a mistake made because of language [Ramsey]
8493 We could make universals collections of particulars, or particulars collections of their qualities [Ramsey]
8. Modes of Existence / E. Nominalism / 1. Nominalism / a. Nominalism
8494 Obviously 'Socrates is wise' and 'Socrates has wisdom' express the same fact [Ramsey]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
8834 Infinitism avoids a regress, circularity or arbitrariness, by saying warrant just increases [Klein,P]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / e. Pro-foundations
8838 If justification is endless, no link in the chain is ultimately justified [Ginet on Klein,P]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / a. Coherence as justification
8839 Reasons acquire warrant through being part of a lengthening series [Klein,P]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]