24 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 19544 | Closure says if you know P, and also know P implies Q, then you must know Q [Dretske] |
| 19545 | We needn't regret the implications of our regrets; regretting drinking too much implies the past is real [Dretske] |
| 19546 | Knowing by visual perception is not the same as knowing by implication [Dretske] |
| 19547 | Reasons for believing P may not transmit to its implication, Q [Dretske] |
| 19548 | The only way to preserve our homely truths is to abandon closure [Dretske] |
| 19549 | P may imply Q, but evidence for P doesn't imply evidence for Q, so closure fails [Dretske] |
| 19550 | We know past events by memory, but we don't know the past is real (an implication) by memory [Dretske] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 3015 | The virtue of man is thoughtful foresight of future events [Chilo, by Diog. Laertius] |