40 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 16477 | Asserting not-p is saying p is false [Russell] |
| 16484 | There are four experiences that lead us to talk of 'some' things [Russell] |
| 16486 | The physical world doesn't need logic, but the mental world does [Russell] |
| 2947 | Questions wouldn't lead anywhere without the law of excluded middle [Russell] |
| 16480 | A disjunction expresses indecision [Russell] |
| 16479 | 'Or' expresses hesitation, in a dog at a crossroads, or birds risking grabbing crumbs [Russell] |
| 16481 | 'Or' expresses a mental state, not something about the world [Russell] |
| 16487 | Maybe the 'or' used to describe mental states is not the 'or' of logic [Russell] |
| 16483 | Disjunction may also arise in practice if there is imperfect memory. [Russell] |
| 16475 | A 'heterological' predicate can't be predicated of itself; so is 'heterological' heterological? Yes=no! [Russell] |
| 16482 | All our knowledge (if verbal) is general, because all sentences contain general words [Russell] |
| 4758 | Naïve realism leads to physics, but physics then shows that naïve realism is false [Russell] |
| 16476 | For simple words, a single experience can show that they are true [Russell] |
| 16485 | Perception can't prove universal generalisations, so abandon them, or abandon empiricism? [Russell] |
| 20363 | Leaves are unequal, but we form the concept 'leaf' by discarding their individual differences [Nietzsche] |
| 16478 | A mother cat is paralysed if equidistant between two needy kittens [Russell] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |