25 ideas
10631 | If 'x is heterological' iff it does not apply to itself, then 'heterological' is heterological if it isn't heterological [Hale/Wright] |
10624 | The incompletability of formal arithmetic reveals that logic also cannot be completely characterized [Hale/Wright] |
10629 | If structures are relative, this undermines truth-value and objectivity [Hale/Wright] |
10628 | The structural view of numbers doesn't fit their usage outside arithmetical contexts [Hale/Wright] |
10622 | The neo-Fregean is more optimistic than Frege about contextual definitions of numbers [Hale/Wright] |
21342 | A relation is internal if two things possessing the relation could not fail to be related [Moore,GE, by Heil] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
10626 | Objects just are what singular terms refer to [Hale/Wright] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
10630 | Abstracted objects are not mental creations, but depend on equivalence between given entities [Hale/Wright] |
10627 | Many conceptual truths ('yellow is extended') are not analytic, as derived from logic and definitions [Hale/Wright] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |