Combining Texts

All the ideas for 'The Nature of Judgement', 'The Intentional Fallacy' and 'Letters to Remond de Montmort'

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14 ideas

1. Philosophy / C. History of Philosophy / 5. Modern Philosophy / b. Modern philosophy beginnings
Moore's 'The Nature of Judgement' (1898) marked the rejection (with Russell) of idealism [Moore,GE, by Grayling]
1. Philosophy / F. Analytic Philosophy / 1. Nature of Analysis
Analysis for Moore and Russell is carving up the world, not investigating language [Moore,GE, by Monk]
10. Modality / C. Sources of Modality / 2. Necessity as Primitive
Some necessary truths are brute, and others derive from final causes [Leibniz]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / c. Parts of consciousness
Our large perceptions and appetites are made up tiny unconscious fragments [Leibniz]
18. Thought / A. Modes of Thought / 3. Emotions / c. Role of emotions
Passions reside in confused perceptions [Leibniz]
19. Language / D. Propositions / 3. Concrete Propositions
Moor bypassed problems of correspondence by saying true propositions ARE facts [Moore,GE, by Potter]
19. Language / D. Propositions / 5. Unity of Propositions
Hegelians say propositions defy analysis, but Moore says they can be broken down [Moore,GE, by Monk]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
28. God / A. Divine Nature / 2. Divine Nature
God produces possibilities, and thus ideas [Leibniz]