26 ideas
21855 | Only in the 1780s did it become acceptable to read Spinoza [Lord] |
5824 | How can an expression be a name, if names can change their denotation? [Evans] |
9038 | We must distinguish what the speaker denotes by a name, from what the name denotes [Evans] |
9042 | A private intention won't give a name a denotation; the practice needs it to be made public [Evans] |
9041 | The Causal Theory of Names is wrong, since the name 'Madagascar' actually changed denotation [Evans] |
21866 | Hobbes and Spinoza use 'conatus' to denote all endeavour for advantage in nature [Lord] |
5825 | Speakers intend to refer to items that are the source of their information [Evans] |
5823 | The intended referent of a name needs to be the cause of the speaker's information about it [Evans] |
9039 | If descriptions are sufficient for reference, then I must accept a false reference if the descriptions fit [Evans] |
9043 | We use expressions 'deferentially', to conform to the use of other people [Evans] |
9040 | Charity should minimize inexplicable error, rather than maximising true beliefs [Evans] |
12157 | Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton] |
20346 | The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim] |
18547 | Only rational beings can experience beauty [Kant, by Scruton] |
24172 | It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant] |
20408 | With respect to the senses, taste is an entirely personal matter [Kant] |
20409 | When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant] |
20411 | Saying everyone has their own taste destroys the very idea of taste [Kant] |
24170 | Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant] |
22711 | The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch] |
4025 | Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C] |
20412 | Beauty is only judged in pure contemplation, and not with something else at stake [Kant] |
22046 | The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard] |
21458 | The sublime is a moral experience [Kant, by Gardner] |
5643 | Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton] |
20410 | The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant] |