Combining Texts

All the ideas for 'Reference and Contingency', 'fragments/reports' and 'Introductions to 'Aesthetics and the Phil of Art''

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9 ideas

10. Modality / B. Possibility / 5. Contingency
'Superficial' contingency: false in some world; 'Deep' contingency: no obvious verification [Evans, by Macià/Garcia-Carpentiro]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Rigid designators can be meaningful even if empty [Evans, by Mackie,P]
19. Language / F. Communication / 3. Denial
Contradiction is impossible, since only one side of the argument refers to the true facts [Prodicus, by Didymus the Blind]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
28. God / B. Proving God / 3. Proofs of Evidence / c. Teleological Proof critique
People used to think anything helpful to life was a god, as the Egyptians think the Nile a god [Prodicus]
28. God / C. Attitudes to God / 5. Atheism
He denied the existence of the gods, saying they are just exaltations of things useful for life [Prodicus]
The gods are just personified human benefits [Prodicus]