19 ideas
9038 | We must distinguish what the speaker denotes by a name, from what the name denotes [Evans] |
5824 | How can an expression be a name, if names can change their denotation? [Evans] |
9042 | A private intention won't give a name a denotation; the practice needs it to be made public [Evans] |
9041 | The Causal Theory of Names is wrong, since the name 'Madagascar' actually changed denotation [Evans] |
5825 | Speakers intend to refer to items that are the source of their information [Evans] |
5823 | The intended referent of a name needs to be the cause of the speaker's information about it [Evans] |
9039 | If descriptions are sufficient for reference, then I must accept a false reference if the descriptions fit [Evans] |
9043 | We use expressions 'deferentially', to conform to the use of other people [Evans] |
9040 | Charity should minimize inexplicable error, rather than maximising true beliefs [Evans] |
22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
13554 | True greatness is never allowing events to disturb you [Seneca] |
13556 | Every night I critically review how I have behaved during the day [Seneca] |
13553 | Anger is a vice which afflicts good men as well as bad [Seneca] |
13552 | Anger is an extreme vice, threatening sanity, and gripping whole states [Seneca] |