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All the ideas for 'Croce and Collingwood', 'Logicism in the 21st Century' and 'The philosophical basis of intuitionist logic'

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14 ideas

4. Formal Logic / E. Nonclassical Logics / 2. Intuitionist Logic
Dummett says classical logic rests on meaning as truth, while intuitionist logic rests on assertability [Dummett, by Kitcher]
5. Theory of Logic / G. Quantification / 1. Quantification
Classical quantification is an infinite conjunction or disjunction - but you may not know all the instances [Dummett]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / d. Hume's Principle
Neo-logicism founds arithmetic on Hume's Principle along with second-order logic [Hale/Wright]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / e. Caesar problem
The Julius Caesar problem asks for a criterion for the concept of a 'number' [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
Logicism is only noteworthy if logic has a privileged position in our ontology and epistemology [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Logicism might also be revived with a quantificational approach, or an abstraction-free approach [Hale/Wright]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
One first-order abstraction principle is Frege's definition of 'direction' in terms of parallel lines [Hale/Wright]
19. Language / A. Nature of Meaning / 4. Meaning as Truth-Conditions
Stating a sentence's truth-conditions is just paraphrasing the sentence [Dummett]
If a sentence is effectively undecidable, we can never know its truth conditions [Dummett]
19. Language / A. Nature of Meaning / 6. Meaning as Use
Meaning as use puts use beyond criticism, and needs a holistic view of language [Dummett]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]