Combining Texts

All the ideas for 'Croce and Collingwood', 'Logicism in the 21st Century' and 'Introduction to Zermelo's 1930 paper'

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13 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / a. Axioms for sets
The first-order ZF axiomatisation is highly non-categorical [Hallett,M]
Non-categoricity reveals a sort of incompleteness, with sets existing that the axioms don't reveal [Hallett,M]
4. Formal Logic / F. Set Theory ST / 7. Natural Sets
Zermelo allows ur-elements, to enable the widespread application of set-theory [Hallett,M]
6. Mathematics / A. Nature of Mathematics / 5. The Infinite / g. Continuum Hypothesis
The General Continuum Hypothesis and its negation are both consistent with ZF [Hallett,M]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / d. Hume's Principle
Neo-logicism founds arithmetic on Hume's Principle along with second-order logic [Hale/Wright]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / e. Caesar problem
The Julius Caesar problem asks for a criterion for the concept of a 'number' [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
Logicism is only noteworthy if logic has a privileged position in our ontology and epistemology [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Logicism might also be revived with a quantificational approach, or an abstraction-free approach [Hale/Wright]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
One first-order abstraction principle is Frege's definition of 'direction' in terms of parallel lines [Hale/Wright]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]