17 ideas
| 3756 | Perception, introspection, testimony, memory, reason, and inference can give us knowledge [Bernecker/Dretske] |
| 9354 | Why should necessities only be knowable a priori? That Hesperus is Phosporus is known empirically [Devitt] |
| 9353 | We explain away a priori knowledge, not as directly empirical, but as indirectly holistically empirical [Devitt] |
| 9356 | The idea of the a priori is so obscure that it won't explain anything [Devitt] |
| 3757 | Causal theory says true perceptions must be caused by the object perceived [Bernecker/Dretske] |
| 3759 | You can acquire new knowledge by exploring memories [Bernecker/Dretske] |
| 3752 | Justification can be of the belief, or of the person holding the belief [Bernecker/Dretske] |
| 3753 | Foundationalism aims to avoid an infinite regress [Bernecker/Dretske] |
| 3754 | Infallible sensations can't be foundations if they are non-epistemic [Bernecker/Dretske] |
| 3755 | Justification is normative, so it can't be reduced to cognitive psychology [Bernecker/Dretske] |
| 3761 | Modern arguments against the sceptic are epistemological and semantic externalism, and the focus on relevance [Bernecker/Dretske] |
| 3760 | Predictions are bound to be arbitrary if they depend on the language used [Bernecker/Dretske] |
| 3758 | Semantic externalism ties content to the world, reducing error [Bernecker/Dretske] |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |