20 ideas
13591 | Quantified modal logic collapses if essence is withdrawn [Quine] |
13590 | Essences can make sense in a particular context or enquiry, as the most basic predicates [Quine] |
8483 | Necessity is relative to context; it is what is assumed in an inquiry [Quine] |
13589 | Possible worlds are a way to dramatise essentialism, and yet they presuppose essentialism [Quine] |
13588 | A rigid designator (for all possible worlds) picks out an object by its essential traits [Quine] |
3756 | Perception, introspection, testimony, memory, reason, and inference can give us knowledge [Bernecker/Dretske] |
13592 | Beliefs can be ascribed to machines [Quine] |
3757 | Causal theory says true perceptions must be caused by the object perceived [Bernecker/Dretske] |
3759 | You can acquire new knowledge by exploring memories [Bernecker/Dretske] |
3752 | Justification can be of the belief, or of the person holding the belief [Bernecker/Dretske] |
3753 | Foundationalism aims to avoid an infinite regress [Bernecker/Dretske] |
3754 | Infallible sensations can't be foundations if they are non-epistemic [Bernecker/Dretske] |
3755 | Justification is normative, so it can't be reduced to cognitive psychology [Bernecker/Dretske] |
3761 | Modern arguments against the sceptic are epistemological and semantic externalism, and the focus on relevance [Bernecker/Dretske] |
3760 | Predictions are bound to be arbitrary if they depend on the language used [Bernecker/Dretske] |
3758 | Semantic externalism ties content to the world, reducing error [Bernecker/Dretske] |
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |