Combining Texts

All the ideas for 'Croce and Collingwood', 'The Architecture of Theories' and 'Primitive Thisness and Primitive Identity'

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19 ideas

9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
A 'thisness' is a thing's property of being identical with itself (not the possession of self-identity) [Adams,RM]
There are cases where mere qualities would not ensure an intrinsic identity [Adams,RM]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Essences are taken to be qualitative properties [Adams,RM]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
If the universe was cyclical, totally indiscernible events might occur from time to time [Adams,RM]
Two events might be indiscernible yet distinct, if there was a universe cyclical in time [Adams,RM]
Black's two globes might be one globe in highly curved space [Adams,RM]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Are possible worlds just qualities, or do they include primitive identities as well? [Adams,RM]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / b. Worlds as fictions
Possible worlds are world-stories, maximal descriptions of whole non-existent worlds [Adams,RM, by Molnar]
10. Modality / E. Possible worlds / 3. Transworld Objects / d. Haecceitism
Adams says anti-haecceitism reduces all thisness to suchness [Adams,RM, by Stalnaker]
Haecceitism may or may not involve some logical connection to essence [Adams,RM, by Mackie,P]
Moderate Haecceitism says transworld identities are primitive, but connected to qualities [Adams,RM]
17. Mind and Body / A. Mind-Body Dualism / 1. Dualism
Physical and psychical laws of mind are either independent, or derived in one or other direction [Peirce]
19. Language / B. Reference / 3. Direct Reference / a. Direct reference
Direct reference is by proper names, or indexicals, or referential uses of descriptions [Adams,RM]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]
26. Natural Theory / D. Laws of Nature / 1. Laws of Nature
The world is full of variety, but laws seem to produce uniformity [Peirce]
27. Natural Reality / G. Biology / 3. Evolution
Darwinian evolution is chance, with the destruction of bad results [Peirce]