Combining Texts

All the ideas for 'Croce and Collingwood', 'Sweet Dreams' and 'The Concept of a Person'

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16 ideas

15. Nature of Minds / A. Nature of Mind / 4. Other Minds / b. Scepticism of other minds
Maybe induction could never prove the existence of something unobservable [Ayer]
15. Nature of Minds / B. Features of Minds / 5. Qualia / c. Explaining qualia
Obviously there can't be a functional anaylsis of qualia if they are defined by intrinsic properties [Dennett]
16. Persons / B. Nature of the Self / 1. Self and Consciousness
Consciousness must involve a subject, and only bodies identify subjects [Ayer]
16. Persons / B. Nature of the Self / 7. Self and Body / a. Self needs body
People own conscious states because they are causally related to the identifying body [Ayer]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
We identify experiences by their owners, so we can't define owners by their experiences [Ayer]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / a. Memory is Self
Memory is the best proposal as what unites bundles of experiences [Ayer]
Not all exerience can be remembered, as this would produce an infinite regress [Ayer]
16. Persons / D. Continuity of the Self / 6. Body sustains Self
Personal identity can't just be relations of experiences, because the body is needed to identify them [Ayer]
16. Persons / E. Rejecting the Self / 4. Denial of the Self
The work done by the 'homunculus in the theatre' must be spread amongst non-conscious agencies [Dennett]
17. Mind and Body / E. Mind as Physical / 2. Reduction of Mind
Intelligent agents are composed of nested homunculi, of decreasing intelligence, ending in machines [Dennett]
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
I don't deny consciousness; it just isn't what people think it is [Dennett]
18. Thought / B. Mechanics of Thought / 6. Artificial Thought / a. Artificial Intelligence
What matters about neuro-science is the discovery of the functional role of the chemistry [Dennett]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]