Combining Texts

All the ideas for 'Croce and Collingwood', 'fragments/reports' and 'A Priori Knowledge'

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14 ideas

10. Modality / A. Necessity / 10. Impossibility
From the necessity of the past we can infer the impossibility of what never happens [Diod.Cronus, by White,MJ]
10. Modality / A. Necessity / 11. Denial of Necessity
Maybe modal sentences cannot be true or false [Casullo]
10. Modality / B. Possibility / 1. Possibility
The Master Argument seems to prove that only what will happen is possible [Diod.Cronus, by Epictetus]
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
Conditionals are true when the antecedent is true, and the consequent has to be true [Diod.Cronus]
10. Modality / D. Knowledge of Modality / 1. A Priori Necessary
If the necessary is a priori, so is the contingent, because the same evidence is involved [Casullo]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
Epistemic a priori conditions concern either the source, defeasibility or strength [Casullo]
The main claim of defenders of the a priori is that some justifications are non-experiential [Casullo]
12. Knowledge Sources / A. A Priori Knowledge / 4. A Priori as Necessities
Analysis of the a priori by necessity or analyticity addresses the proposition, not the justification [Casullo]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / c. Defeasibility
'Overriding' defeaters rule it out, and 'undermining' defeaters weaken in [Casullo]
19. Language / D. Propositions / 4. Mental Propositions
Thought is unambiguous, and you should stick to what the speaker thinks they are saying [Diod.Cronus, by Gellius]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]