Combining Texts

All the ideas for 'Croce and Collingwood', 'fragments/reports' and 'Causation and Laws of Nature'

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16 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
Analysis aims at secure necessary and sufficient conditions [Schaffer,J]
2. Reason / F. Fallacies / 1. Fallacy
'Reification' occurs if we mistake a concept for a thing [Schaffer,J]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / d. System T
T adds □p→p for reflexivity, and is ideal for modeling lawhood [Schaffer,J]
6. Mathematics / C. Sources of Mathematics / 4. Mathematical Empiricism / b. Indispensability of mathematics
If a notion is ontologically basic, it should be needed in our best attempt at science [Schaffer,J]
7. Existence / C. Structure of Existence / 2. Reduction
Three types of reduction: Theoretical (of terms), Definitional (of concepts), Ontological (of reality) [Schaffer,J]
8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
Tropes are the same as events [Schaffer,J]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
Individuation aims to count entities, by saying when there is one [Schaffer,J]
10. Modality / A. Necessity / 10. Impossibility
From the necessity of the past we can infer the impossibility of what never happens [Diod.Cronus, by White,MJ]
10. Modality / B. Possibility / 1. Possibility
The Master Argument seems to prove that only what will happen is possible [Diod.Cronus, by Epictetus]
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
Conditionals are true when the antecedent is true, and the consequent has to be true [Diod.Cronus]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
Only ideal conceivability could indicate what is possible [Schaffer,J]
19. Language / D. Propositions / 4. Mental Propositions
Thought is unambiguous, and you should stick to what the speaker thinks they are saying [Diod.Cronus, by Gellius]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]