Combining Texts

All the ideas for 'Croce and Collingwood', 'fragments/reports' and 'Towards a Critique of Hegel's Philosophy'

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15 ideas

1. Philosophy / C. History of Philosophy / 1. History of Philosophy
All philosophies presuppose their historical moment, and arise from it [Feuerbach]
1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
I don't study Plato for his own sake; the primary aim is always understanding [Feuerbach]
2. Reason / C. Styles of Reason / 1. Dialectic
A dialectician has to be his own opponent [Feuerbach]
Each proposition has an antithesis, and truth exists as its refutation [Feuerbach]
3. Truth / A. Truth Problems / 3. Value of Truth
Truth forges an impersonal unity between people [Feuerbach]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / e. Ontological commitment problems
To our consciousness it is language which looks unreal [Feuerbach]
10. Modality / A. Necessity / 10. Impossibility
From the necessity of the past we can infer the impossibility of what never happens [Diod.Cronus, by White,MJ]
10. Modality / B. Possibility / 1. Possibility
The Master Argument seems to prove that only what will happen is possible [Diod.Cronus, by Epictetus]
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
Conditionals are true when the antecedent is true, and the consequent has to be true [Diod.Cronus]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The Absolute is the 'and' which unites 'spirit and nature' [Feuerbach]
19. Language / D. Propositions / 4. Mental Propositions
Thought is unambiguous, and you should stick to what the speaker thinks they are saying [Diod.Cronus, by Gellius]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]