19 ideas
| 4444 | One moderate nominalist view says that properties and relations exist, but they are particulars [Armstrong] |
| 4445 | If properties and relations are particulars, there is still the problem of how to classify and group them [Armstrong] |
| 4448 | Should we decide which universals exist a priori (through words), or a posteriori (through science)? [Armstrong] |
| 4446 | It is claimed that some universals are not exemplified by any particular, so must exist separately [Armstrong] |
| 4440 | 'Resemblance Nominalism' finds that in practice the construction of resemblance classes is hard [Armstrong] |
| 4439 | 'Resemblance Nominalism' says properties are resemblances between classes of particulars [Armstrong] |
| 4431 | 'Predicate Nominalism' says that a 'universal' property is just a predicate applied to lots of things [Armstrong] |
| 4433 | Concept and predicate nominalism miss out some predicates, and may be viciously regressive [Armstrong] |
| 4432 | 'Concept Nominalism' says a 'universal' property is just a mental concept applied to lots of things [Armstrong] |
| 4436 | 'Class Nominalism' may explain properties if we stick to 'natural' sets, and ignore random ones [Armstrong] |
| 4434 | 'Class Nominalism' says that properties or kinds are merely membership of a set (e.g. of white things) [Armstrong] |
| 4435 | 'Class Nominalism' cannot explain co-extensive properties, or sets with random members [Armstrong] |
| 4437 | 'Mereological Nominalism' sees whiteness as a huge white object consisting of all the white things [Armstrong] |
| 4438 | 'Mereological Nominalism' may work for whiteness, but it doesn't seem to work for squareness [Armstrong] |
| 8044 | Goffman sees the self as no more than a peg on which to hang roles we play [Goffman, by MacIntyre] |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |