Combining Texts

All the ideas for 'Croce and Collingwood', 'Alfred Tarski: life and logic' and 'Substance and Individuation in Leibniz'

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28 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
10147 The Axiom of Choice is consistent with the other axioms of set theory [Feferman/Feferman]
10148 Axiom of Choice: a set exists which chooses just one element each of any set of sets [Feferman/Feferman]
10149 Platonist will accept the Axiom of Choice, but others want criteria of selection or definition [Feferman/Feferman]
10150 The Trichotomy Principle is equivalent to the Axiom of Choice [Feferman/Feferman]
10146 Cantor's theories needed the Axiom of Choice, but it has led to great controversy [Feferman/Feferman]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
10158 A structure is a 'model' when the axioms are true. So which of the structures are models? [Feferman/Feferman]
10162 Tarski and Vaught established the equivalence relations between first-order structures [Feferman/Feferman]
5. Theory of Logic / J. Model Theory in Logic / 3. Löwenheim-Skolem Theorems
10160 Löwenheim-Skolem says if the sentences are countable, so is the model [Feferman/Feferman]
10159 Löwenheim-Skolem Theorem, and Gödel's completeness of first-order logic, the earliest model theory [Feferman/Feferman]
5. Theory of Logic / K. Features of Logics / 4. Completeness
10161 If a sentence holds in every model of a theory, then it is logically derivable from the theory [Feferman/Feferman]
5. Theory of Logic / K. Features of Logics / 7. Decidability
10156 'Recursion theory' concerns what can be solved by computing machines [Feferman/Feferman]
10155 Both Principia Mathematica and Peano Arithmetic are undecidable [Feferman/Feferman]
8. Modes of Existence / A. Relations / 1. Nature of Relations
13076 Scholastics treat relations as two separate predicates of the relata [Cover/O'Leary-Hawthorne]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
13102 If you individuate things by their origin, you still have to individuate the origins themselves [Cover/O'Leary-Hawthorne]
13103 Numerical difference is a symmetrical notion, unlike proper individuation [Cover/O'Leary-Hawthorne]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
13104 Haecceity as property, or as colourless thisness, or as singleton set [Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 2. Substance / a. Substance
13100 Maybe 'substance' is more of a mass-noun than a count-noun [Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 2. Substance / c. Types of substance
13068 We can ask for the nature of substance, about type of substance, and about individual substances [Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 2. Substance / d. Substance defined
13069 The general assumption is that substances cannot possibly be non-substances [Cover/O'Leary-Hawthorne]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
13072 Modern essences are sets of essential predicate-functions [Cover/O'Leary-Hawthorne]
17080 Modern essentialists express essence as functions from worlds to extensions for predicates [Cover/O'Leary-Hawthorne]
9. Objects / E. Objects over Time / 12. Origin as Essential
13101 Necessity-of-origin won't distinguish ex nihilo creations, or things sharing an origin [Cover/O'Leary-Hawthorne]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
13081 Even extreme modal realists might allow transworld identity for abstract objects [Cover/O'Leary-Hawthorne]
14. Science / D. Explanation / 2. Types of Explanation / c. Explanations by coherence
13071 We can go beyond mere causal explanations if we believe in an 'order of being' [Cover/O'Leary-Hawthorne]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]