Combining Texts

All the ideas for 'Croce and Collingwood', 'Preface to Great Instauration (Renewal)' and 'Elbow Room: varieties of free will'

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17 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
An overexamined life is as bad as an unexamined one [Dennett]
1. Philosophy / D. Nature of Philosophy / 7. Despair over Philosophy
Philosophy is like a statue which is worshipped but never advances [Bacon]
2. Reason / A. Nature of Reason / 9. Limits of Reason
Rationality requires the assumption that things are either for better or worse [Dennett]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / c. Possible but inconceivable
Why pronounce impossible what you cannot imagine? [Dennett]
12. Knowledge Sources / B. Perception / 1. Perception
The senses deceive, but also show their own errors [Bacon]
13. Knowledge Criteria / C. External Justification / 2. Causal Justification
Causal theories require the "right" sort of link (usually unspecified) [Dennett]
14. Science / A. Basis of Science / 3. Experiment
Nature is revealed when we put it under pressure rather than observe it [Bacon]
16. Persons / A. Concept of a Person / 4. Persons as Agents
I am the sum total of what I directly control [Dennett]
16. Persons / F. Free Will / 1. Nature of Free Will
Can we conceive of a being with a will freer than our own? [Dennett]
You can be free even though force would have prevented you doing otherwise [Dennett, by PG]
16. Persons / F. Free Will / 2. Sources of Free Will
Awareness of thought is a step beyond awareness of the world [Dennett]
Foreknowledge permits control [Dennett]
17. Mind and Body / B. Behaviourism / 3. Intentional Stance
The active self is a fiction created because we are ignorant of our motivations [Dennett]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]