Combining Texts

All the ideas for 'Croce and Collingwood', 'In Defense of Absolute Essentialism' and 'Truly Understood'

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17 ideas

9. Objects / D. Essence of Objects / 6. Essence as Unifier
A property is essential iff the object would not exist if it lacked that property [Forbes,G]
Properties are trivially essential if they are not grounded in a thing's specific nature [Forbes,G]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
A relation is essential to two items if it holds in every world where they exist [Forbes,G]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / c. Essentials are necessary
Trivially essential properties are existence, self-identity, and de dicto necessities [Forbes,G]
9. Objects / D. Essence of Objects / 9. Essence and Properties
A property is 'extraneously essential' if it is had only because of the properties of other objects [Forbes,G]
9. Objects / D. Essence of Objects / 11. Essence of Artefacts
One might be essentialist about the original bronze from which a statue was made [Forbes,G]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
The source of de dicto necessity is not concepts, but the actual properties of the thing [Forbes,G]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
Concepts are distinguished by roles in judgement, and are thus tied to rationality [Peacocke]
18. Thought / D. Concepts / 3. Ontology of Concepts / c. Fregean concepts
A sense is individuated by the conditions for reference [Peacocke]
Fregean concepts have their essence fixed by reference-conditions [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / a. Conceptual structure
Concepts have distinctive reasons and norms [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / b. Analysis of concepts
Any explanation of a concept must involve reference and truth [Peacocke]
19. Language / C. Assigning Meanings / 4. Compositionality
Encountering novel sentences shows conclusively that meaning must be compositional [Peacocke]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]