14 ideas
| 17304 | As causation links across time, grounding links the world across levels [Schaffer,J] |
| 17306 | If ground is transitive and irreflexive, it has a strict partial ordering, giving structure [Schaffer,J] |
| 17308 | Explaining 'Adam ate the apple' depends on emphasis, and thus implies a contrast [Schaffer,J] |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| 17305 | I take what is fundamental to be the whole spatiotemporal manifold and its fields [Schaffer,J] |
| 17307 | Nowadays causation is usually understood in terms of equations and variable ranges [Schaffer,J] |