21 ideas
14255 | We understand things through their dependency relations [Fine,K] |
14250 | Metaphysics deals with the existence of things and with the nature of things [Fine,K] |
14259 | Maybe two objects might require simultaneous real definitions, as with two simultaneous terms [Fine,K] |
9455 | Maybe proper names have the content of fixing a thing's category [Bealer] |
9454 | The four leading theories of definite descriptions are Frege's, Russell's, Evans's, and Prior's [Bealer] |
14253 | An object's 'being' isn't existence; there's more to an object than existence, and its nature doesn't include existence [Fine,K] |
14261 | There is 'weak' dependence in one definition, and 'strong' dependence in all the definitions [Fine,K] |
14251 | A natural modal account of dependence says x depends on y if y must exist when x does [Fine,K] |
14257 | An object depends on another if the second cannot be eliminated from the first's definition [Fine,K] |
14254 | Dependency is the real counterpart of one term defining another [Fine,K] |
14252 | We should understand identity in terms of the propositions it renders true [Fine,K] |
14256 | How do we distinguish basic from derived esssences? [Fine,K] |
14258 | Maybe some things have essential relationships as well as essential properties [Fine,K] |
14260 | An object only essentially has a property if that property follows from every definition of the object [Fine,K] |
9453 | Sentences saying the same with the same rigid designators may still express different propositions [Bealer] |
9452 | Propositions might be reduced to functions (worlds to truth values), or ordered sets of properties and relations [Bealer] |
9451 | Modal logic and brain science have reaffirmed traditional belief in propositions [Bealer] |
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |