Combining Texts

All the ideas for 'Croce and Collingwood', 'Introduction to Zermelo's 1930 paper' and 'Speaking of Objects'

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15 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / a. Axioms for sets
17833 The first-order ZF axiomatisation is highly non-categorical [Hallett,M]
17834 Non-categoricity reveals a sort of incompleteness, with sets existing that the axioms don't reveal [Hallett,M]
4. Formal Logic / F. Set Theory ST / 7. Natural Sets
17837 Zermelo allows ur-elements, to enable the widespread application of set-theory [Hallett,M]
6. Mathematics / A. Nature of Mathematics / 5. The Infinite / g. Continuum Hypothesis
17836 The General Continuum Hypothesis and its negation are both consistent with ZF [Hallett,M]
7. Existence / C. Structure of Existence / 7. Abstract/Concrete / a. Abstract/concrete
1630 We can only see an alien language in terms of our own thought structures (e.g. physical/abstract) [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / b. Commitment of quantifiers
5747 "No entity without identity" - our ontology must contain items with settled identity conditions [Quine, by Melia]
8. Modes of Existence / B. Properties / 12. Denial of Properties
7925 There is no proper identity concept for properties, and it is hard to distinguish one from two [Quine]
9. Objects / A. Existence of Objects / 2. Abstract Objects / b. Need for abstracta
13387 Our conceptual scheme becomes more powerful when we posit abstract objects [Quine]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
8277 I prefer 'no object without identity' to Quine's 'no entity without identity' [Lowe on Quine]
19. Language / F. Communication / 6. Interpreting Language / b. Indeterminate translation
1631 You could know the complete behavioural conditions for a foreign language, and still not know their beliefs [Quine]
1632 Translation of our remote past or language could be as problematic as alien languages [Quine]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]