Combining Texts

All the ideas for 'Croce and Collingwood', 'Metaphysics: contemporary introduction' and 'Reference and Generality (3rd ed)'

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15 ideas

6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / d. Counting via concepts
Are 'word token' and 'word type' different sorts of countable objects, or two ways of counting? [Geach, by Perry]
8. Modes of Existence / B. Properties / 13. Tropes / b. Critique of tropes
If abstract terms are sets of tropes, 'being a unicorn' and 'being a griffin' turn out identical [Loux]
8. Modes of Existence / D. Universals / 1. Universals
Austere nominalists insist that the realist's universals lack the requisite independent identifiability [Loux]
Universals come in hierarchies of generality [Loux]
8. Modes of Existence / E. Nominalism / 1. Nominalism / a. Nominalism
Austere nominalism has to take a host of things (like being red, or human) as primitive [Loux]
8. Modes of Existence / E. Nominalism / 1. Nominalism / c. Nominalism about abstracta
Nominalism needs to account for abstract singular terms like 'circularity'. [Loux]
9. Objects / A. Existence of Objects / 5. Individuation / c. Individuation by location
Times and places are identified by objects, so cannot be used in a theory of object-identity [Loux]
9. Objects / A. Existence of Objects / 6. Nihilism about Objects
We should abandon absolute identity, confining it to within some category [Geach, by Hawthorne]
9. Objects / F. Identity among Objects / 3. Relative Identity
Denial of absolute identity has drastic implications for logic, semantics and set theory [Wasserman on Geach]
Identity is relative. One must not say things are 'the same', but 'the same A as' [Geach]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Leibniz's Law is incomplete, since it includes a non-relativized identity predicate [Geach, by Wasserman]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]