13 ideas
| 4483 | If abstract terms are sets of tropes, 'being a unicorn' and 'being a griffin' turn out identical [Loux] |
| 4481 | Austere nominalists insist that the realist's universals lack the requisite independent identifiability [Loux] |
| 4477 | Universals come in hierarchies of generality [Loux] |
| 4482 | Austere nominalism has to take a host of things (like being red, or human) as primitive [Loux] |
| 4478 | Nominalism needs to account for abstract singular terms like 'circularity'. [Loux] |
| 4480 | Times and places are identified by objects, so cannot be used in a theory of object-identity [Loux] |
| 22449 | When we say 'is red' we don't mean 'seems red to most people' [Foot] |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| 22451 | All people need affection, cooperation, community and help in trouble [Foot] |
| 22452 | Do we have a concept of value, other than wanting something, or making an effort to get it? [Foot] |