Combining Texts

All the ideas for 'Croce and Collingwood', 'Introduction to 'Absolute Generality'' and 'Truly Understood'

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16 ideas

4. Formal Logic / F. Set Theory ST / 1. Set Theory
13451 The two best understood conceptions of set are the Iterative and the Limitation of Size [Rayo/Uzquiano]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / m. Axiom of Separation
13452 Some set theories give up Separation in exchange for a universal set [Rayo/Uzquiano]
5. Theory of Logic / G. Quantification / 2. Domain of Quantification
13449 We could have unrestricted quantification without having an all-inclusive domain [Rayo/Uzquiano]
13450 Absolute generality is impossible, if there are indefinitely extensible concepts like sets and ordinals [Rayo/Uzquiano]
5. Theory of Logic / G. Quantification / 5. Second-Order Quantification
13453 Perhaps second-order quantifications cover concepts of objects, rather than plain objects [Rayo/Uzquiano]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
12608 Concepts are distinguished by roles in judgement, and are thus tied to rationality [Peacocke]
18. Thought / D. Concepts / 3. Ontology of Concepts / c. Fregean concepts
12605 A sense is individuated by the conditions for reference [Peacocke]
12607 Fregean concepts have their essence fixed by reference-conditions [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / a. Conceptual structure
12609 Concepts have distinctive reasons and norms [Peacocke]
18. Thought / D. Concepts / 4. Structure of Concepts / b. Analysis of concepts
12604 Any explanation of a concept must involve reference and truth [Peacocke]
19. Language / C. Assigning Meanings / 4. Compositionality
12610 Encountering novel sentences shows conclusively that meaning must be compositional [Peacocke]
19. Language / F. Communication / 5. Pragmatics / a. Contextual meaning
13448 The domain of an assertion is restricted by context, either semantically or pragmatically [Rayo/Uzquiano]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]