9 ideas
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| 23896 | We see our character as a restricting limit, but also as an unshakable support [Weil] |
| 23894 | The concept of character is at the centre of morality [Weil] |
| 23893 | We don't see character in a single moment, but only over a period of time [Weil] |
| 23895 | We modify our character by placing ourselves in situations, or by attending to what seems trivial [Weil] |
| 17366 | Virtually all modern views of speciation rest on relational rather than intrinsic features [Okasha] |