Combining Texts

All the ideas for 'Croce and Collingwood', 'German Philosophy 1760-1860' and 'The Establishment of Scientific Semantics'

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16 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
Wolff's version of Leibniz dominated mid-18th C German thought [Pinkard]
Romantics explored beautiful subjectivity, and the re-enchantment of nature [Pinkard]
The combination of Kant and the French Revolution was an excited focus for German philosophy [Pinkard]
1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
In Hegel's time naturalism was called 'Spinozism' [Pinkard]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / a. Tarski's truth definition
'"It is snowing" is true if and only if it is snowing' is a partial definition of the concept of truth [Tarski]
5. Theory of Logic / A. Overview of Logic / 6. Classical Logic
A language: primitive terms, then definition rules, then sentences, then axioms, and finally inference rules [Tarski]
5. Theory of Logic / I. Semantics of Logic / 1. Semantics of Logic
Semantics is the concepts of connections of language to reality, such as denotation, definition and truth [Tarski]
A language containing its own semantics is inconsistent - but we can use a second language [Tarski]
5. Theory of Logic / I. Semantics of Logic / 4. Satisfaction
A sentence is satisfied when we can assert the sentence when the variables are assigned [Tarski]
Satisfaction is the easiest semantical concept to define, and the others will reduce to it [Tarski]
5. Theory of Logic / K. Features of Logics / 2. Consistency
Using the definition of truth, we can prove theories consistent within sound logics [Tarski]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / a. Idealism
Idealism is the link between reason and freedom [Pinkard]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]