Combining Texts

All the ideas for 'Croce and Collingwood', 'German Philosophy 1760-1860' and 'Introductions to 'Aesthetics and the Phil of Art''

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12 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
22002 Wolff's version of Leibniz dominated mid-18th C German thought [Pinkard]
22021 Romantics explored beautiful subjectivity, and the re-enchantment of nature [Pinkard]
22010 The combination of Kant and the French Revolution was an excited focus for German philosophy [Pinkard]
1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
22036 In Hegel's time naturalism was called 'Spinozism' [Pinkard]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / a. Idealism
22048 Idealism is the link between reason and freedom [Pinkard]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]