Combining Texts

All the ideas for 'Croce and Collingwood', 'Quodlibeta' and 'Scientific Objectivity'

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16 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
One view says objectivity is making a successful claim which captures the facts [Reiss/Sprenger]
An absolute scientific picture of reality must not involve sense experience, which is perspectival [Reiss/Sprenger]
Topic and application involve values, but can evidence and theory choice avoid them? [Reiss/Sprenger]
The Value-Free Ideal in science avoids contextual values, but embraces epistemic values [Reiss/Sprenger]
Value-free science needs impartial evaluation, theories asserting facts, and right motivation [Reiss/Sprenger]
Thermometers depend on the substance used, and none of them are perfect [Reiss/Sprenger]
8. Modes of Existence / B. Properties / 8. Properties as Modes
Whiteness does not exist, but by it something can exist-as-white [Aquinas]
11. Knowledge Aims / A. Knowledge / 2. Understanding
Senses grasp external properties, but the understanding grasps the essential natures of things [Aquinas]
12. Knowledge Sources / A. A Priori Knowledge / 3. Innate Knowledge / a. Innate knowledge
Initial universal truths are present within us as potential, to be drawn out by reason [Aquinas]
12. Knowledge Sources / B. Perception / 3. Representation
Minds take in a likeness of things, which activates an awaiting potential [Aquinas]
14. Science / A. Basis of Science / 3. Experiment
The 'experimenter's regress' says success needs reliability, which is only tested by success [Reiss/Sprenger]
14. Science / C. Induction / 6. Bayes's Theorem
The Bayesian approach is explicitly subjective about probabilities [Reiss/Sprenger]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]