Combining Texts

All the ideas for 'Croce and Collingwood', 'Intro to 'Self-Representational Consciousness'' and 'Modal Logic within Counterfactual Logic'

expand these ideas     |    start again     |     specify just one area for these texts

15 ideas

4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / h. System S5
14626 In S5 matters of possibility and necessity are non-contingent [Williamson]
10. Modality / A. Necessity / 1. Types of Modality
14625 Necessity is counterfactually implied by its negation; possibility does not counterfactually imply its negation [Williamson]
10. Modality / B. Possibility / 8. Conditionals / a. Conditionals
14623 Strict conditionals imply counterfactual conditionals: □(A⊃B)⊃(A□→B) [Williamson]
10. Modality / B. Possibility / 9. Counterfactuals
14624 Counterfactual conditionals transmit possibility: (A□→B)⊃(◊A⊃◊B) [Williamson]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
14531 Rather than define counterfactuals using necessity, maybe necessity is a special case of counterfactuals [Williamson, by Hale/Hoffmann,A]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / e. Cause of consciousness
9312 Consciousness is reductively explained either by how it represents, or how it is represented [Kriegel/Williford]
9313 Experiences can be represented consciously or unconsciously, so representation won't explain consciousness [Kriegel/Williford]
9315 Red tomato experiences are conscious if the state represents the tomato and itself [Kriegel/Williford]
9316 How is self-representation possible, does it produce a regress, and is experience like that? [Kriegel/Williford]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / f. Higher-order thought
9314 Unfortunately, higher-order representations could involve error [Kriegel/Williford]
15. Nature of Minds / C. Capacities of Minds / 2. Imagination
14628 Imagination is important, in evaluating possibility and necessity, via counterfactuals [Williamson]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]