Combining Texts

All the ideas for 'Mathematics without Numbers', 'Artistic Value and Opportunistic Moralism' and 'Identity and Necessity'

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15 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
We may fix the reference of 'Cicero' by a description, but thereafter the name is rigid [Kripke]
5. Theory of Logic / F. Referring in Logic / 1. Naming / c. Names as referential
The function of names is simply to refer [Kripke]
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / c. Nominalist structuralism
Modal structuralism says mathematics studies possible structures, which may or may not be actualised [Hellman, by Friend]
Statements of pure mathematics are elliptical for a sort of modal conditional [Hellman, by Chihara]
Modal structuralism can only judge possibility by 'possible' models [Shapiro on Hellman]
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
It is necessary that this table is not made of ice, but we don't know it a priori [Kripke]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
A 'rigid designator' designates the same object in all possible worlds [Kripke]
We cannot say that Nixon might have been a different man from the one he actually was [Kripke]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
Modal statements about this table never refer to counterparts; that confuses epistemology and metaphysics [Kripke]
17. Mind and Body / A. Mind-Body Dualism / 7. Zombies
Identity theorists must deny that pains can be imagined without brain states [Kripke]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / e. Modal argument
Pain, unlike heat, is picked out by an essential property [Kripke]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The works we value most are in sympathy with our own moral views [John,E]
We should understand what is morally important in a story, without having to endorse it [John,E]
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]