54 ideas
| 21757 | Philosophy is the conceptual essence of the shape of history [Hegel] |
| 14721 | Metaphysical enquiry can survive if its conclusions are tentative [Sider] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 14760 | Four-dimensionalism sees things and processes as belonging in the same category [Sider] |
| 14194 | Proper ontology should only use categorical (actual) properties, not hypothetical ones [Sider] |
| 14745 | If sortal terms fix the kind and the persistence conditions, we need to know what kinds there are [Sider] |
| 14740 | If Tib is all of Tibbles bar her tail, when Tibbles loses her tail, two different things become one [Sider] |
| 14752 | Artists 'create' statues because they are essentially statues, and so lack identity with the lump of clay [Sider] |
| 14743 | The stage view of objects is best for dealing with coincident entities [Sider] |
| 14747 | 'Composition as identity' says that an object just is the objects which compose it [Sider] |
| 14757 | Mereological essentialism says an object's parts are necessary for its existence [Sider] |
| 14727 | Three-dimensionalists assert 'enduring', being wholly present at each moment, and deny 'temporal parts' [Sider] |
| 14738 | Some might say that its inconsistency with time travel is a reason to favour three-dimensionalism [Sider] |
| 14726 | Four-dimensionalists assert 'temporal parts', 'perduring', and being spread out over time [Sider] |
| 14728 | 4D says intrinsic change is difference between successive parts [Sider] |
| 14729 | 4D says each spatiotemporal object must have a temporal part at every moment at which it exists [Sider] |
| 14730 | Temporal parts exist, but are not prior building blocks for objects [Sider] |
| 14731 | Temporal parts are instantaneous [Sider] |
| 14758 | How can an instantaneous stage believe anything, if beliefs take time? [Sider] |
| 14762 | Four-dimensionalism says temporal parts are caused (through laws of motion) by previous temporal parts [Sider] |
| 14741 | The ship undergoes 'asymmetric' fission, where one candidate is seen as stronger [Sider] |
| 14754 | If you say Leibniz's Law doesn't apply to 'timebound' properties, you are no longer discussing identity [Sider] |
| 14763 | Counterparts rest on similarity, so there are many such relations in different contexts [Sider] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 14725 | Maybe motion is a dynamical quantity intrinsic to a thing at a particular time [Sider] |
| 14735 | Space is 3D and lacks a direction; time seems connected to causation [Sider] |
| 14722 | Between presentism and eternalism is the 'growing block' view - the past is real, the future is not [Sider] |
| 14756 | For Presentists there must always be a temporal vantage point for any description [Sider] |
| 14724 | Presentists must deny truths about multiple times [Sider] |
| 14723 | Talk using tenses can be eliminated, by reducing it to indexical connections for an utterance [Sider] |
| 14736 | The B-theory is adequate, except that it omits to say which time is present [Sider] |
| 14734 | The B-series involves eternalism, and the reduction of tense [Sider] |