Combining Texts

All the ideas for 'To be is to be the value of a variable..', 'A Dictionary of Philosophy' and 'Artistic Value and Opportunistic Moralism'

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18 ideas

4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / a. Sets as existing
7785 The use of plurals doesn't commit us to sets; there do not exist individuals and collections [Boolos]
4. Formal Logic / F. Set Theory ST / 8. Critique of Set Theory
10699 Does a bowl of Cheerios contain all its sets and subsets? [Boolos]
5. Theory of Logic / A. Overview of Logic / 7. Second-Order Logic
10225 Monadic second-order logic might be understood in terms of plural quantifiers [Boolos, by Shapiro]
10736 Boolos showed how plural quantifiers can interpret monadic second-order logic [Boolos, by Linnebo]
10780 Any sentence of monadic second-order logic can be translated into plural first-order logic [Boolos, by Linnebo]
5. Theory of Logic / D. Assumptions for Logic / 4. Identity in Logic
10697 Identity is clearly a logical concept, and greatly enhances predicate calculus [Boolos]
5. Theory of Logic / G. Quantification / 5. Second-Order Quantification
13671 Second-order quantifiers are just like plural quantifiers in ordinary language, with no extra ontology [Boolos, by Shapiro]
5. Theory of Logic / G. Quantification / 6. Plural Quantification
10267 We should understand second-order existential quantifiers as plural quantifiers [Boolos, by Shapiro]
10698 Plural forms have no more ontological commitment than to first-order objects [Boolos]
5. Theory of Logic / G. Quantification / 7. Unorthodox Quantification
7806 Boolos invented plural quantification [Boolos, by Benardete,JA]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / b. Commitment of quantifiers
10700 First- and second-order quantifiers are two ways of referring to the same things [Boolos]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
6455 Maybe 'sense-data' just help us to talk about unusual perceptual situations [Lacey]
12. Knowledge Sources / B. Perception / 4. Sense Data / b. Nature of sense-data
6454 Where do sense-data begin or end? Can they change? What sort of thing are they? [Lacey]
6453 Some claim sense-data are public, and are parts of objects [Lacey]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22693 The works we value most are in sympathy with our own moral views [John,E]
22694 We should understand what is morally important in a story, without having to endorse it [John,E]
22695 We value morality in art because that is what we care about - but it is a contingent fact [John,E]
22692 A work can be morally and artistically excellent, despite rejecting moral truth [John,E]