24 ideas
| 9837 | 0 is not a number, as it answers 'how many?' negatively [Husserl, by Dummett] |
| 9576 | Multiplicity in general is just one and one and one, etc. [Husserl] |
| 17444 | Husserl said counting is more basic than Frege's one-one correspondence [Husserl, by Heck] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 9575 | Husserl identifies a positive mental act of unification, and a negative mental act for differences [Husserl, by Frege] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 21214 | We clarify concepts (e.g. numbers) by determining their psychological origin [Husserl, by Velarde-Mayol] |
| 9819 | Psychologism blunders in focusing on concept-formation instead of delineating the concepts [Dummett on Husserl] |
| 9851 | Husserl wanted to keep a shadowy remnant of abstracted objects, to correlate them [Dummett on Husserl] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20443 | The aesthetic attitude is nothing more than paying close attention [Dickie, by Giovannelli] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |