48 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 13252 | Some truths have true negations [Beall/Restall] |
| 13247 | A truthmaker is an object which entails a sentence [Beall/Restall] |
| 13249 | (∀x)(A v B) |- (∀x)A v (∃x)B) is valid in classical logic but invalid intuitionistically [Beall/Restall] |
| 13243 | Excluded middle must be true for some situation, not for all situations [Beall/Restall] |
| 13245 | Relevant consequence says invalidity is the conclusion not being 'in' the premises [Beall/Restall] |
| 13246 | Relevant logic does not abandon classical logic [Beall/Restall] |
| 13254 | A doesn't imply A - that would be circular [Beall/Restall] |
| 13255 | Relevant logic may reject transitivity [Beall/Restall] |
| 13242 | It's 'relevantly' valid if all those situations make it true [Beall/Restall] |
| 13250 | Free logic terms aren't existential; classical is non-empty, with referring names [Beall/Restall] |
| 13235 | Logic studies consequence; logical truths are consequences of everything, or nothing [Beall/Restall] |
| 13238 | Syllogisms are only logic when they use variables, and not concrete terms [Beall/Restall] |
| 13234 | The view of logic as knowing a body of truths looks out-of-date [Beall/Restall] |
| 13232 | Logic studies arguments, not formal languages; this involves interpretations [Beall/Restall] |
| 13241 | The model theory of classical predicate logic is mathematics [Beall/Restall] |
| 13253 | There are several different consequence relations [Beall/Restall] |
| 13240 | A sentence follows from others if they always model it [Beall/Restall] |
| 13236 | Logical truth is much more important if mathematics rests on it, as logicism claims [Beall/Restall] |
| 13237 | Preface Paradox affirms and denies the conjunction of propositions in the book [Beall/Restall] |
| 13244 | Relevant necessity is always true for some situation (not all situations) [Beall/Restall] |
| 8800 | If you would deny a truth if you know the full evidence, then knowledge has social aspects [Harman, by Sosa] |
| 13239 | Judgement is always predicating a property of a subject [Beall/Restall] |
| 13248 | We can rest truth-conditions on situations, rather than on possible worlds [Beall/Restall] |
| 13233 | Propositions commit to content, and not to any way of spelling it out [Beall/Restall] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |